Growing up with a fraternal twin sister, one of the questions I was asked more than any other was whether we had some kind of "twin power." It stuck with me. Years later, I started wondering: what if fraternal twins really did share a secret ability, but had spent their entire lives making sure no one ever found out? That simple idea became the seed for Reggie & Rainbow.

From there, I became less interested in the power itself and more interested in the people. I love stories that invite audiences into worlds that feel lived in, specific, and just a little off-center. Places with their own rules, rhythms, and quirks. The twins' strange little universe became an opportunity to build characters who quietly navigate life with an extraordinary secret, while using it in ways that feel surprisingly ridiculous.

At the same time, I wanted Reggie & Rainbow to help define my own voice as a filmmaker. I'm drawn to directors with unmistakable points of view, and this project became my chance to begin developing an aesthetic that felt distinctly my own. One rooted in sincerity, specificity, humor, and carefully crafted worlds that audiences would enjoy spending time in.